Rightfully so, Ray Charles has been deemed by many to be one of the original creators of soul music. As with many artists whose longevity is almost mystical, Ray was the ultimate shapeshifter. Going from jazz to country western to psychedelic circles, Ray was able to stand the test of time in his marketing and business savvy, his ambition, and, ultimately, his creativity in the way he approached music.
Though the Ray Charles sound is unmistakable on hits like "Georgia on my Mind" to "Hit the Road Jack!", his true genius lies in the root of it all: the root that stems from having a tough go at it, the root that shows us what it's like to be at the bottom looking up, and the root that reveals just a tiny pinhole of light shedding through if at all. The blues. The notion that we can't always get what we want when we want it, and that, sometimes, it's even harder to get what we need.
The Genius Sings the Blues seems to encapsulate the true meaning of the word. From lonesome heartbreak to hopeful cry in the night, from fiery romance to forging on ahead, Ray Charles shows off the range of the blues itself. From more commonly-known Ray tunes such as "Hard Times" and "The Right Time" to earlier tunes like "The Midnight Hour", Ray shows how the blues doesn't get much more blue than this. This album seems to say, "If you're on the up and up you better cross your lucky stars, or, even better, say a cautious prayer of thanks at the edge of your bed at night because the blues can be hiding around anybody's corner." Do yourself a favor and, whether you find yourself on the high side of the tide or the low, listen to brother Ray tell you how it is. If you find yourself fortunate for what you've got or find solace in the fact that someone else is also missing what they had, you'll be better off whichever way you cut it.
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