Ray Charles and James Brown: The Voiceless Prowess of R&B's Greatest Voices

Leaving the microphone behind is not an issue
for these R&B and Soul legends.

James Brown and Ray Charles: definitively the two biggest names in R&B and Soul music history. Arguably, they are the majority molders of many popular genres of music today. Together and separate, the two musicians fought through countless hurdles during their heyday, both within the music industry and outside it, in order to accomplish something greater than themselves. Ray Charles struggled to have his music heard by a segregated South, eventually having his song, “Georgia On My Mind,” adopted as the Georgia state song in honor of his ability to overcome. James Brown opened up a televised set in a riot-torn Boston the day after Martin Luther King Jr.’s death in 1968, showing a divided population that it was possible to unite through music. These were great men, musicians, and, most importantly, movers in the U.S. and beyond.

These two individuals were known for many things, some good and some bad, but one of their united transcendental qualities is easily their respective vocal chops. Ray could be silky smooth, but he often pushed the envelope of his voice, giving it the grit that he’s known for on tracks such as “Night Time is the Right Time” and “Drown in My Own Tears.” J.B., on the other hand, had that grit from the start, evident in early tracks like “Please, Please, Please” and “Try Me.” His grittiness, however, matured to a point where he became known for his guttural, percussive sounds used to accent the prowess of his songwriting and backing band. 

It might be considered ironic, then, that I recently came across two record albums that remove these two songsters’ voices from the mix, allowing the instrumental talents of the groups  to shine through. On Atlantic Jazz Anthology:The Best of Ray Charles, the sounds of David “Fathead” Newman’s tenor and alto saxophone become more integral, shining through on leads on “Hard Times,” a reworking of the seminal Charles’ track, and others. Ray’s impeccably delicate piano playing is also a highlight of the album; he is even featured blowing a bluesy alto sax solo on “How Long Blues,” which also features vibraphonist great Milt Jackson. 

On Grits & Soul: The Instrumental Sounds of The James Brown Band, James Brown sidles up to Ray’s instrumental band sound, but he adds a decidedly James Brown feel. The organ is a key instrument used, which is different from the all-piano tracks found on the Ray Charles album. Grits & Soul also features more of the band itself, but Brown definitely throws in a tasty lick or two when he is playing the keyboards. This particular album is also interesting because it provided Brown a way to record outside of the label he resided on at the time. According to this source, his contract had a vocal stipulation on him, and he was able to circumvent legalities by removing his voice from the music entirely.

No matter why these albums were made, they are treasures that take both of these great, game-changing musicians out of their popular element. Crossing genres is a tricky thing, especially in the twentieth and twenty-first century, and this proves that both James Brown and Ray Charles will not only stand the test of time as innovators, but that they have shown that they are all-around experts in their craft of music-making. They not only created music for themselves and others, but were both able to lead their bands and the world closer to greatness. 

Chicago's Record Store Gems: Funk, Jazz, and Soul Searching in the Windy City

Chicago may be known for its breezy demeanor, deep dish ‘za, and its distinctive version of the blues, but what many people don’t know is that it’s a great place to find vinyl records. As far as my research goes, though it’s hardly definitive, there are quality record stores numbering into the double digits. In 2010, in fact, three of Chicago’s stores made Rolling Stone’s list of top record stores in the country. I checked out one of the stores that made the list, as well as a jazz specialty store, during a recent visit. 

The first stop was Jazz Record Mart, located in downtown Chicago, just off of Michigan Avenue. Downtown has some great architectural accoutrement, but it can be hard to have a small business downtown that stands out. Jazz Record Mart has overcome this hurdle by displaying oversized covers of classic jazz albums as well as some newer up-and-comers in the genre. Entering the store, I got the distinct feeling of the grittiness of an old record store—the overstock shelves loaded with records was reminiscent of older, over-the-counter type stores—and the huge selection of records pressed prior to World War Two was unique and impressive. 

Jazz Records draws you in with ample poster bling.

"As an English teacher, I was impressed that both Jazz Record Mart and Dusty Groove prominently displayed literature about the music they sold. This is a hearty plus for anyone wanting to learn more about the respective genres."


There was a great selection of reissued jazz, and the used albums they had were not your normal fare and very reasonably priced. I found an early album of Chicago native Gil Scott Heron, and was happily delighted in my interaction with the staff member at the desk. When I asked about a certain Jimmy Smith album on LP, he told me he hadn’t seen it but engaged me in a conversation about The Beastie Boys sampling of the album and Gil Scott Heron’s poetry. I wandered out into a downpour, thankful to have visited and that the only records I purchased were still in the shrink.

The next day, I sought out Dusty Groove America, a store known for its rare funk cuts and soul collection. I wasn’t planning on making another trip into the city, but this writer has a soft spot for anything that has a great 60’s and 70’s era, as the kids these days put it, “drop.” This store didn’t disappoint in delivering a great selection of records, though it was definitely a more new-school record shop. Dusty Groove does a lot of business online, but they didn’t sacrifice anything in-store. There was a clean, mainstreamed ambience that would appeal to many different types of people, but this isn’t a crate-digging place. Prices are at a premium, but they had some interesting compilations of world music (Bossa Nova, Indian-Psych-Funk, Afrobeat, to name a few), and a number of James Brown deep cuts. I didn’t have much of a chance to talk to the staff, but they seemed friendly enough. 

Dusty Groove is spacious and well-organized: easy
for an in-and-out visit when you know what you want.

One thing to note about Dusty Groove is that I noticed an interesting collection of music-related books, and I found my favorite record publication, Wax Poetics, there. As an English teacher, I was impressed that both Jazz Record Mart and Dusty Groove prominently displayed literature about the music they sold. This is a hearty plus for anyone wanting to learn more about the respective genres. 

Though there are many more stores that I have yet to check out, I would be willing to make a bet that the Windy City could easily make a run for the Midwest record capital title alongside its numerous NBA Championships, award-winning food, and record-setting skyscrapers. Based on these two stores alone, I’d give a high recommendation to looking for your favorite music on vinyl record in this city, a mecca flush with musical goodness. 

The Man, the Myth, the Organ: "Respect" by Jimmy Smith

Historically, jazz musicians have always been regarded at the top of the list when it comes to having “cool factor.” Jimmy Smith was arguably located in the coolest category of jazz musicians: jazz organists. From Wild Bill Davis to Joey DeFrancesco, jazz organists’ fingers have always flown across the key bed with an effortlessness that seems to mystify even the most casual music listener. 

Jimmy was not only in the coolest category of jazz musicians; he was the coolest. From his laid-back demeanor to his nonchalant virtuosity, he was the go-to man for hipness when it came to finding the right balance between funk and jazz sensibilities. And, he was dedicated. Rumor has it that, when he decided to switch from piano to organ in the 1950’s, Jimmy locked himself away in a warehouse with a hammond organ in order to learn to play bass parts with his feet. 

If you haven’t seen a jazz organist play live before, it is a syncopated dance in which the player, for all purposes, is a one-man band. A traditional jazz organ trio might include only a guitar, drums, and organ, which oftentimes leaves the organ player to fill out the lead, bass, and comping parts. Though the album “Respect” also includes Ron Carter on bass, it features Jimmy Smith as the powerhouse groove-making machine that he was, powerhouse enough to many years later be sampled by the Beastie Boys. 

“Respect” is a highly-recommended album of reworked soul tunes from the Sixties including the title-track, the ubiquitous Otis Redding-turned-Aretha-Franklin mega hit of the era. Strangely enough, this track isn’t the highlight of the album. Its tight-fitting form doesn’t lend itself well to Jimmy’s band’s “jam-it-out” mentality, but an interpretation of Wilson Pickett’s “Funky Broadway” and a b-side blues called “T-Bone Steak” allow the band the time they need to find the groove and explore that true Jimmy Smith sound that has spanned nearly five decades. If you’re looking for instrumental interpretations that still carry the weight of 60’s soul stand outs, look no further than Jimmy Smith’s “Respect.” If you’re looking to hear one of the best keyboard players to ever hit that high jazz prodigy stage, look no further than Jimmy Smith. Plus, who doesn’t like a man doing karate poses in front of a B3 organ?

Twenty-Five and Still Kicking: Lessons I’ve Learned in the Past Year as a New Teacher and Beyond

The last year has been one of the longest of my life. The seconds have trickled slowly by at points, yet I now find myself nearing the end of the school year. Besides the fact that this year marked the first year with my own classroom as an English teacher, I was also forced to overcome personal life challenges and dig deep within myself to find clarity. The experiences I have had include both positive and negative experiences ending in, ultimately, growth and self-awareness. Beyond my classroom, I have “lost” and “gained” many friends this year as well as people where the word "friend" just doesn't come close to cutting it. I put the words "lost" and "gained" in quotation marks because I believe that most of these people will always be my friends in some way, but my interactions with many of these people has changed in some way. I have had to pull myself through challenges and trying times, but have come out for the better at the other end.

I have changed markedly in the past year, and I will continue to change and grow throughout my life, probably drastically in some instances. I want to share with all of you some of the lessons I have learned and experiences I have had over the course of the school year as well as some of the insights I have gained through those lessons and experiences. I will also share some insights from people who have influenced me throughout the year. These are my opinions, but they are also things that I will try to abide by in my life.

These do not reflect compartmentalized beliefs, but reflect ideas about being a teacher, a friend, a lover, a brother, a son, a grandson etc. all at once. These are about living life. Don’t take my words to heart too quickly. Challenge them. Incorporate them into your own lives as you see fit. I am not telling you how to live your life, but how I think I want to live mine. I write this for myself. I write this for refinement. I write this for insight into myself. Some of these passages may seem self-righteous, but I assure you I am not being self-righteous. I do not judge anyone for holding beliefs different from my own. I am also far from attaining these goals myself. Lesson learned numero uno will tell you that.

Here we go now. No particular thought has been placed on the order beyond the first three:

1. In always being a student, you learn how to teach.

Understanding that your knowledge and experience are very limited compared to the knowledge and experiences of the whole will make you better off and will humble you. My students this year have taught me more than I could ever teach myself in a lifetime. Use others' knowledge and strengths to improve yourself and foster a positive environment around you. Lead by example, and, in doing so, make it known that you are constantly a student, regardless of how many degrees you have earned.

2. Transparency and self-awareness will fulfill you.

Be honest with people. Be true to yourself as well as your values; don’t be afraid to share these values with others and stand up for what you believe in. Even if it means making huge sacrifices (a teacher/carpenter I admire cut up his Menard's credit card this year citing his values as motivation for doing so), you find yourself better off for sticking to your personal six shooters. Knowing what you stand for is part of being self-aware. The more we know about ourselves, the more easily we can know when we need to take stands for what we believe in.

Regarding transparency, our moms said “honesty is the best policy.” They were right all along. We all have secrets we will keep from people forever, and no one will ever give the gift of full transparency. However, I now believe that the fewer secrets we hold within ourselves, the better. This allows us to be more genuine and intimate in our relationships with others, and, when people see that you put it all out on the table, they generally respond in a positive fashion. People will open up to you in ways you never thought possible when you open up to them. Remember that white lies are a slippery slope and that honesty often hurts, but it is usually better in the long run.

3.Find a way to stay positive; there is no such thing as finding a silver lining, because you create your own silver lining.

We all make a choice about how we think about every situation we encounter in life. We make many, many choices every day. The more we choose to look at things in a positive light, the more our positivity will be infectious. Smile at people. Try to engage people. Share the love that you have for life and others with perfect strangers and close friends alike. When something bad (or good) happens, your mood will affect others’ moods around you. It’s amazing how many people we each influence on a day-to-day basis. Make it a positive influence through your actions and words. Anger and punishment rarely motivate people, and when they do motivate people it is for the wrong reasons.

4. Foster many relationships.

Make sure to diversify, but put your heart and soul into every one. Throw yourself cautiously to the wind when it comes to love, but be sure to remember you have many kinds of love for many different people in your life. Do not neglect true friendships or family, they are the backbone of your existence. However, I have learned that true friends will be there in ways you cannot imagine even if they are forgotten or wronged, that sometimes it can be surprising who may come to your rescue. Choose the people you surround yourself with carefully, for they will define who you are in ways you may not realize.

Also, sometimes it is necessary to find seclusion for the right reasons. When it doesn’t feel right to be around people, allow yourself some space; it’s probably necessary. However, always remember what Christopher McCandless found in his dying moments in a deserted bus in Alaska. Quite possibly, it was a greater truth: “Happiness only real when shared.” Know also when the time is right to reach out to people again, for all relationships are the path to true happiness.

5. Treat people well.

Use your intuition and faith (in god, in yourself, wherever you find it) to guide you as to what that means, but find like-minded people and fortify your beliefs and values with experiences. Strive to do right by people, and if you make a mistake, own it. Apologize to the best of your ability and try to be humble. You will only be able to truly accept yourself if you accept the bad with the good. Part of the human experience is that we all do some good and some bad, but making a conscious decision that you want to do good will motivate you. If you can look in the mirror each day and tell yourself that you have tried to do right by people in your life, you will find that happiness finds you sooner. Be sure, confident, and deliberate in your actions so that you do not have to second-guess yourself later: you will have fewer regrets. If happiness is truly linked to our shared relationships, then we need to find positive ways to foster relationships in our lives. I have always prided myself on how I’ve treated people, but I have now realized that it is imperative that I go out of my way to treat other people well.

6.If we put ourselves in other people’s boots, we will be better off.

Steven Covey writes in his book, The Seven Habits of Highly Effective People, “Seek first to understand, then to be understood.” We are fighting this good fight together, whether we like it or not. Sometimes it seems that we are all on opposite pages, but we are all looking for universal things. Often they involve a way of being happy. The more empathy we can have for others, and the more we strive to accept people for who they are, both the bad and the good, the better we will understand ourselves and our own motivations and the more we can help others.

7. Karma is a bitch sometimes, but it is real.

Good things happen to good people. Bad things happen to good people. Ultimately, believing in Karma doesn’t mean believing in a tangible outcome. If you believe karma to be receiving something good in return for your efforts to do good by people, you are, in turn, perceiving that you are helpless as to creating good returns for yourself. When bad things happen to us, we need to be proactive in how we react to those situations. Staying positive isn’t always easy, but the sooner we can find the positives about our current situation, the sooner we can move on from that to create something better. Karma isn’t as easy as giving and receiving anyhow. It’s often about how we choose to act in and react to certain situations. The karmic returns come in the satisfaction that your motivations and intentions have been and are true. If motivations and intentions are untrue, then, in order to create a positive karmic experience, we need to learn from those in order to be more self-aware.

8. Everyone is selfish, but selfishness doesn’t have to be a bad thing.

First, make sure that your motivations and intentions for doing something are pure. Purity is something that is an abstract, so we have to trust our instincts and faith. If we are doing something for the wrong reasons, it should and will be evident even though it may take some time to realize that. We get something (needs or wants) out of every experience in which we choose to partake, and we make those choices everyday. We should strive to choose to do things that are backed by the right motivations and intentions, whether that be in our personal lives, at work, or even when interacting within ourselves.

9. Be proud of your gray hairs.

I have just a few silver threads that have snuck in with my dark brown hair now. They aren’t really visible to the naked eye, but I point them out to people anyways. Though the link between stress and gray hair is debatable, I can tell you that I don’t think I would have them if the year had gone differently. The greatest amount of learning comes in the hardest, most stressful times. Push yourself and work hard to get learning done during these times even though it can be difficult. I was once taught in one of my Curriculum/Instruction classes that the greatest learning comes from being pushed to the edge; I would argue that sometimes we need to be pushed beyond that in order to truly learn about ourselves. In reconstructing ourselves in healthy ways, we often find the greatest sense of refinement.

10. Healthy skepticism is good with the right intentions, but trusting others works wonders.

Don’t be afraid to put your trust in people. That fear, perhaps, comes from not fully trusting yourself.

11. Be patient with people.

Randy Pausch, in The Last Lecture, says, “If you wait long enough, people will surprise and impress you.” It’s true; people generally come through in the end.

12. Laugh hard, laugh loud, and laugh often.

Humor, used in the right way, can be the greatest tool. It can diffuse situations, help to foster relationships, and makes others and yourself happier. However, humor can be easily misinterpreted. Be careful not to put others down in your humor or use humor for the wrong reasons.

13. Be forgiving to others as well as to yourself; forgiveness isn’t only for saints.

During the course of this year, I have blamed myself, then blamed others, then realized that blame is a blocking agent. Ultimately, we need to forgive in order to be forgiven, but that process may take a long time. Forgiveness incorporates many of the items above, and in order to forgive people we often have to admit to ourselves what we did wrong or could have done better in the process. At the same time, it’s often too easy to be hard on yourself. Find that balance. Remember also that you aren’t owed anything.

14. Sometimes living your life means grief, struggle, and even being on the brink of insanity.

If you embrace this truth, you will overcome it. Too often, society and others push us to get over or move forward on things too quickly without taking enough time to process. Processing things in depth can be painful, but can also lead to the best sense of how one works within.

15. To quote another teacher/mentor/friend of mine, “Things will work out.”

If you stick with this mentality, then things always seem to do just that.

16. "You can launch a rocket ship with Excel!"

This quotation can be attributed to Matt Poling, and was one of the best quotations I've heard all year. It shows that a little bit of creativity can go a long way to making the impossible possible. Sometimes the obvious solution isn't always the best solution. Don't be afraid to do something differently just because someone says it can't be done or that you shouldn't do it that way. We are capable of amazing things when we put our minds to it.

17. Slow down.

Our culture in the U.S. pushes us to pride ourselves on doing things quickly. Hastiness is sometimes the opposite of efficiency. Many situations require us to think things through or make decisions over a longer period of time. Be deliberate in your decisions and take the time you need to be comfortable with those. Consider all possible consequences and outcomes; you will then be more likely to make positive decisions for yourself and others.

18. Take time to listen to the music.

Appreciate the arts. Embrace them and know that they are some of the most beneficial experiences we can have as people. Whether it be seeing a play, playing an instrument, or reading or writing poetry, find something you can do to involve yourself in the arts. You will have a better understanding of universal truths and experiences among so many other benefits.

19. Be bold. Take both calculated and uncalculated risks.

A good balance of both types of risk is necessary in life. Know your capabilities and be confident in them. If you find the opportunity to take a risk that seems beyond your capabilities but doable, it is often worth risking failure in order to achieve something more. Sometimes, we need to go on a hunch. In achieving something that seems unachievable at first, we better ourselves. Have a passion for challenges. The reward can often be far greater than the risk in these situations.

20. “And in the end, the love you take is equal to the love you make.”

Of course, I had to end on a Beatles quotation. I will say that I still have many strides to make in learning and putting these lessons into practice. I need to clean up some things in my life. Nobody's near perfection. I’m sure there is more to be said here, but that’s it for now. Chime in if you have anything to add. I will continue to update this note. Thanks for hearing me out. I hope this finds everyone well.

A Clock is a Fine Thing

I found these mysterious poems amidst some old files. The document was merely titled "A Clock is a Fine Thing."

The cool breeze blows a breath of air

refreshing hearts and winding clocks

who show that time passes as pumped by blood

and I love you for your clock

The seasons change with warmth and cold

They sow their oats in wind and rain

Theirs is the dance with time

and I love you for your seasons

May the winds take you where they will

but may you build a sail to navigate the waves

of time and seasons.

---

In the universal world where we love

I want it heard that the tones we play

are songs for two or more,

that they open doors for things to come.

In the inevitable space where we part

I want it said that Galaxy and Universe

will find it in their hearts

to bring you back to me someday.

---

Sound waves change

and so do I

I see it in the screen

I see it in the ups and downs

I have seen you when you’re blue

and see you when you’re green

and all those other colors

makin’ you so mean

But now it's time to find a

mellow shade for the long haul.

We’ll ride down streets

in ancient carts together.

Sound waves change

and so do I

I see it in the screen

I see it in the ups and downs

Skipping Stones (an encounter with a former self)

Do you ever get the feeling that some strange omniscient being or cosmic entity is trying to tell you something? Perhaps, once in a while, the threads of time get tangled up and you wonder if there aren't any coincidences, only the natural flow of things. What's especially strange is when these two phenomena collide. Stranger yet, what happens if that entity happens to be a former self? Recently, I had the chance to find out. Let me explain...

I found an old journal from a couple years back today. In it were observations from student teaching experiences, a few poems, a short essay, and some philosophical and background notes for a novel I am still working on to this day. The novel, as well as my outlook on life, has changed, but maybe now's as good a time as any to dig up this old ghost, this optimistic philosopher I once was, and stare him in the face: we'll definitely have a good argument or two. In any case, some of my ideology has changed so much (for the worse, I believe), that some of these ideas were a real kick in the pants. I had a hard time reading some of the notes because, in some ways, I have so quickly become a person I never wanted to become. I also had to look up some of the vocabulary (pollyanna) my former self seemed to pull off with no sweat. Smarty-pants show-off. I'll also say he was, on occasion, trying a bit to hard to show off his newly-attained "flowery" language skills. I'll do as little editing as possible to be true to my former self.

Below are some excerpts from notes as well as the essay/short story:

We'll start with the essay.

Note: This is a long post, I know. However, I promise that if you read the notes at the end first, it will be worth it.

Skipping Stones

Stone skipping has always been one of the fond memories in my life. Whether it be the ocean, the river, or my grandmother's lake, casting that first rock into the water was always a release for me. Finding that somewhat oblong, smooth stone in the sand, running through the cool water, and then finally sending it out into the world is something that has always been a calming and soothing activity. If catharsis is interpreted as the act of spiritual renewal and the release of tension, skipping stones was this for me.

On the shores of the Pacific Ocean, just outside the Redwood National Forest, there were many stones that would slice through the bountiful crashing waves that slipped inland via a small stream running from the forest of redwoods to the east. In a sense, the comic [yet tragic] nature of this tributary was a symbol of how life hits you: the small stream, fast and narrow, opens suddenly into an ocean of possibility. Somewhere in between, a chaos of salt and fresh water intermingle in confusion, and suddenly an unknown burst of purpose drives that water out into the ocean.

"No strings attached," some would say, becomes the longed-for outcome of the harrowing trip down that rocky stream. Living life side-by-side with freedom and forgoing a life of responsibility seems like the ultimate nirvana to some of us, but, as I stood looking out into that ocean, I knew that finding that possibility meant more than living my life as care-free as I had previously wanted. The tiny stream had now changed in my mind; it became one who dared to confront that ocean head-on. An entity so bold, it chose to face the largest, most impossible of challenges directly against all odds.

When the stream had the choice to continue on through the redwoods, it chose to merge with its supposed destiny: possibility. At that moment, I realized that the ocean was no longer the outcome of the journey, but the beginning of a new journey all together. I reached down for my first stone and cast it out towards the horizon. The stone skipped once or twice between the ocean waves, then collided with one goliath the ocean had sent inland. Needless to say, the ocean did not seem friendly on that day, so the stone found its way to the belly of the ocean floor.

I was always fascinated by how rocks moved within a body of water. The rock that I had cast into the ocean that day would soon become a pebble, then a grain of sand on the beach. I wouldn't see the grain of sand (perhaps no man would), but the rock would return from the sea eventually.

What does this mean in regards to the metaphor, then? Is it possible that possibility is really a means for refinement? That this ocean, this Nirvana, spits you back into the world so that you are better, more efficient, more refined, yet only one of many grains of sand? At that point, it all seemed paradoxical to me.

Many years after this experience, I would learn some of the answers to these questions. However, at that moment I returned to picking up the next rock and sending it out into a new world of possibility. This time, though not a perfect skip, the stone rode the waves out into the ocean: one, two, three. The horizon and the stone met for one instant, and then the stone disappeared into the dark blue water.

The single, seemingly monotonous act of skipping stones would continue on as a highlight for me throughout my young life. There were many times when going to the shores of the Chippewa River became a time of thought, of self-reflection. There were other times when throwing rocks was just that: philosophy dissolved, and there we were, just me and the rock.

NOTES FOR NOVEL:

Show

People are inherently good. The dilemma, for some, is that there is a gray area. I think this is more black and white in a way. First, this is my belief. The goal is not to change people's beliefs. It is to show them that I have experienced people being inherently good. "If you wait long enough, people will surprise and impress you." - Randy Pausch

I believe people are good and that is a choice I make. I would rather be disappointed, giving people the benefit of the doubt, [rather] than expecting the worst.

---

Tell

A case for change. Reform in regards to: If more people take the time to explore, as well as [go] back to nature, things become refreshed and rejuvenated.

Show

Broken dreams made new- Dreams are good to keep alive. Though most people think this means following through with an unmoving dream, like a boulder, my idea is that a dream is something that is flexible. Realistic dreams are as bad as low expectations. Having unrealistic dreams, seemingly unattainable, drive us towards doing the impossible, attaining the unimaginable. However, dreams change in the flux that is life; dreams move from one thing to another. But, dreams have a root or focus. This is where people have trouble achieving their dreams because they don't realize the true longing that comes in that dream: security, love, belonging, hope, fun, freedom, etc.

---

"Blessed is he who expects nothing, for he shall never be disappointed" (Alexander Pope) is a saying for the weak. Those who do not have expectations will not and do not ever fully experience life. Having high expectations in life leads to many disappointments, but it also allows you to find passion, explore, love, and go beyond what you have before. Having high expectations brings you experience. Just as the sun rises, [having high expectations] brings hope for the new day ahead, and the sunset can console and repair a broken heart. People who do not have high expectations will never experience the full gamut of human emotion. Instead, they experience a numbness with the world around them. They do no see sunrises and sunsets with the child-like wonder of three-year-olds, but with the weary eyes of a man or woman who no longer sees the world as a mechanism of constant, changing desire or an optimistic smile across a stranger's face. Rather, they see a fool's paradise, a Pollyanna's pipe dream. Is this not the greatest disappointment of all? To share the heart of the stone you rest upon, to grow so numb that you can't feel the grass beneath your feet?

---

Unrequited love- Not in the sense of a romantic quest, but as a means towards finding something in life that is meaningful. The impetus for inspiring dreams. This ties back to expectations. Expectations are good if we use failures to motivate us. We can't obsess over things that we cannot change- experiences in the past, other people's perceptions of us, our actions in the past. We can, however, change and improve ourselves based on past experiences as well as our failed and achieved expectations.

---

The thing I want to get across is that expectation is good. No matter the outcome, whether it be disappointment or the achievement of these expectations, we are better off being hopeful and optimistic in our lives.

"When we try to pick out anything by itself, we find it hitched to everything else in the universe." - John Muir

A Pair of (Minimalist) Queens

Ever since being turned on to the likes of Feist and Regina Spector of pop fame, possibly even since, long ago, I was turned on to Nico of The Velvet Underground or the big three: Ella, Sarah, and Billie, I've been an admirer of the female vocalist. Even better when they rock out on their respective instruments. There's just something about a girl and a guitar, I guess...

Anyhow, I've got a couple of choice picks for you to consider for your listening pleasure:

Lia Ices: Grown Unknown

I heard a track on this album recently that really caught my attention. There seems to be an uncanny balance between minimalism and complexity here. I'm not talking about quantum physics-type complexity, but merely a thickness not usually produced by just a handful of instruments. In "Love is Won," instrumentation consists mainly of drums and piano, with a smattering of organ for emphasis(nice drawbar settings, by the way). The song follows a simple change and is reinforced by a fairly simple, on the down beat, drum line, but something makes the song remarkable. It could be Lia Ices' voice, a fragile sounding ambience, yet in the driver's seat lead, but I think there is some sort of eclectic sound built in the plain. This album is far from plain in the traditional sense of the word, but it would be a nice, easy listen for one of these upcoming rainy spring days. Justin Vernon, that by-now-ubiquitous Jack of all trades, even lends some support to his fellow label mate's latest effort.

Zoo Animal

Fronted by Holly Newsom, this trio is dynamic in their minimalistic efforts. I recently had the opportunity to witness their music/awkward stage banter live, and I have to admit that even the awkward stage banter impressed me. Like their music, the stage banter was just them doing their own thing. The uniqueness of Newsom's voice again stands out, but she also expertly weaves guitar-picking and melody lines into one natural flow. A few minimalistic guitar solos later, you hardly notice that this is three separate musicians playing in a band as opposed to a single entity itself. The bass grooves of Tim Abramson along with a solid drummer (Thom Burton) really solidify the wholeness of the sound. They just seem to all click. Once again, this group is, what I would define as, minimalism with a knockout punch.